Last week I looked at stage moms on TV this summer, this week it's specifically the DANCE stage moms, some of the worst offenders on TV no doubt. It was interesting to look back over the past two summers and see what's changed and what is the same in the world of dance on TV. Sadly Bunheads and Breaking Pointe are gone and Dance Kids ATL didn't return. With SIX dance shows airing during the Summer of 2014 though, dance seems more popular than ever, especially over the summer.
1) The mainstay is of course So You Think You Can Dance, aka SYTYCD, or simply "So You Think." Back on June 29th I tweeted that Ricky Ubeda would win Season 11 and I was right. I mean...
Despite the foregone conclusion I enjoyed this season. I like the two hours per week because it makes it all seem like less of a commitment. I also enjoyed all the guest judges this season (especially Misty Copeland, and even Tara Lipinski who for the rest of my life I will never forgive for Nagano and Michelle Kwan!). Am curious for how many more seasons they can last though. If you notice almost all the top contenders are 18 or 19-years-old. They seem to have exhausted the crop of "older" dancers. It's really freaky to hear that people like Ricky have been dreaming of competing on the show since they were EIGHT. Time sure flies when you are older.
I found it interesting that the show has come so full circle that one of Ricky's teachers, Victor, was on SYTYCD as a contestant. I loved his line that Ricky was sent to them from the dance gods. Of course, Victor's studio was the subject of the unsuccessful Dance Moms Miami spin-off. Further proof how incestuous these worlds are...
2) Dance Moms- Oh, wait, I have more proof! Lucas Triana who was on Dance Moms Miami is part of the Candy Apples Team, where his mom still causes trouble. I find the show, which finishes up tonight, so disturbing at this point I'm not sure what else I can say. I will add that the new DwTS link (Abby appearing in the spring and Maddie last month with Allison Holker from STYYCD) is even more proof of the small world of dance on TV. Allison put Maddie to shame during Chandelier, but I was disturbed by Allison's weight.
3) Abby's Studio Rescue- On that note, I simply can't BELIEVE Abby got not one, but TWO spin-offs. Is she really that popular? Like Dance Moms this is highly scripted. Only a few episodes aired over the summer, then the show appeared to be canceled, now a few more aired. The best thing I can say is that the show portrays her in a slightly more positive light. Abby does know to teach her students terminology and I like that she gives them exams. It also exposes the wide range of studios in the US, that ANYONE (dance mom, "teacher," former dancer) can open one, and should make the case for more regulation. Needless to say, product placement awkward.
4) Raising Asia- If you can believe it, yet another spin-off of a spin-off from Dance Moms. Asia Monet Ray was on the first season of Abby's Ultimate Dance Competition. She then appeared on Dance Moms, then she got her own show on Lifetime. I found this to be the most interesting dance show because it captures and lays bare so many of the issues with these shows. It shows the sacrifice, the homeschooling, the deprivation the children cry about (friends, family time, even food). Kristie, the mom, seems to think she can tell the cameras when to stop rolling and that she can try to walk off set EVERY episode. It's just not true, as her husband tries to explain to her. The producers must have LOVED it every time she did it. Kristie gets mad at her daughters (the dynamic with the youngest is so, so sad), the producers, her husband, her sister, her mom-- she would get mad at her friends to I am sure if she had any time to see them. And that raises the question: What is the end game here? Raising Asia shows that dancing might help get you attention, but it likely won't make you FAMOUS. You will always be in the back. If you only want to do dance then you must choreograph (like Anthony Burrell who has now done Dance Moms, Abby's Ultimate, AND Raising Asia) or join a professional company or show. Asia's parents want her to be a pop star, a mini-Beyonce, so singing must come. But Beyonce likely wouldn't have done a reality show. The money and exposure aren't worth it if you are a hack later because of it. Nick or Disney could come, but who knows. This raises the question of the end goal for someone like Maddie on Dance Moms who doesn't go to school and gets dance jobs, but not a PROJECT. She'll never join Cedar Lake-- what is her end game? So much time and money invested and education missed in ways you can't even say for many sports, which can lead to college opportunities. I guess it is all the fame game? In any case, Asia and her parents come off as brats. Someone please rescue Bella Blu.
5) Bring It!- I've written before about how much I like the message of this show. But, oh, the "technique" or lack thereof. Dianna is now calling this "majorette dance," and says it is growing. It is, but it shouldn't at the expense of kids' bodies. Whenever I see the bare feet on gym or concrete floors, I cringe! One of the coaches from another team even admitted he has absolutely no dance background. Ugh! And, yet, I like this show. It's a different demographic, it's warm (I loved when Dianna let Sunjai go to her prom and didn't give her an awful time about it). They are "sexing" it up a bit with the Baby Dancing Dolls and Momma Dancing Dolls routines for TV, but that's ok. Even with poor technique I'd rather a tough and loving teacher for my kids than a tyrant Abby.
6) Hit the Floor- The only officially scripted show of the bunch. It's a total soap, there is lots of sex, but there is also lots of good dancing. Of course the stars aren't the best dancers on the team (though Ahsha is ok, her acting isn't great so I can't quite figure out how such a wooden actress got the lead, whereas Jelena's face and body explain it all), and in more incestuousness, Allison Holker also appears here (along with Courtney Galliano, another SYTYCD alum).
Overall Asia, Allison, and Anthony tie for three dance shows apiece-- but I give the win to Holker for doing a scripted show as well.
I wonder what dance shows will return next summer, and what new ones will come along in the meantime!